A post-apocalyptic scene of Plaza Mayor in Lima, Peru, reimagined in the world of One Piece. The plaza is a desolate, crumbling version of its former self, with large, exaggerated elements like a giant, twisted pirate ship anchored in the middle, its sails torn and ragged. The colonial buildings are in decay, some towering with whimsical, broken architecture that could belong in a One Piece setting. Overgrown vegetation and strange, fantastical plants take over the cobblestone streets. The sky is dark, filled with ominous clouds, and strange creatures can be seen in the distance, possibly pirate crews or wild animals, all depicted in the exaggerated, stylized way of One Piece. The scene captures both the gritty detail of Annie Stegg Gerard’s art style and the vibrant, yet decayed, world of One Piece
A post-apocalyptic scene of Plaza Mayor in Lima, Peru, reimagined in the world of One Piece. The plaza is a desolate, crumbling version of its former self, with large, exaggerated elements like a giant, twisted pirate ship anchored in the middle, its sails torn and ragged. The colonial buildings are in decay, some towering with whimsical, broken architecture that could belong in a One Piece setting. Overgrown vegetation and strange, fantastical plants take over the cobblestone streets. The sky is dark, filled with ominous clouds, and strange creatures can be seen in the distance, possibly pirate crews or wild animals, all depicted in the exaggerated, stylized way of One Piece. The scene captures both the gritty detail of Annie Stegg Gerard’s art style and the vibrant, yet decayed, world of One Piece