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House floorplan

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

Futuristic architecture design studio, modern interior, sleek computer screens, robotic arms, 3D printing machines, automated drawing tables, minimalist decor, steel and glass materials, neon lights,

Tan zhi hui final cropped,airships,futuristic landscape,gas planet,airship,alien planet,sci fiction illustration,heliosphere,dune,panoramical,desert planet,planet,earth rise,colony,world digital paint

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

Zhang brought her mother Wang Feng Qin (left) and father Zhang Zhi Qiang (right) to Melbourne because she feared it could be her final top-level tournament.,rackets,table tennis racket,soft tennis,rea

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

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Mocha Brown Room Decor

Associate Professor Liu Shao Quan (left) and Chan Mei Zhi Alcine (right), with their bacteria-filled beer,glasses of beer,two glasses,two types of beer,drinking glasses,gluten-free beer,beer match,wed

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望

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