Images générées par IA de abbasid

four small white abbasids with golden tan skin are centered on an elaborately carved, broken abbasid cross, five large abbasies head and hand carved in the background, black abbasid heads and claws show clear detail with some shading and texture, light from above casts soft shadows emphasizing the texture of the skin, beige background with decorative scrolls, overall smooth transitioning of tone from dark brown at the base to light brown at the top, slight gradient effect gives a sense of depth due to perspective, no text present.

a close-up of an abbasid, the image is focused on the abbasid, which is slightly below and to the left of the first one, its body is covered in brownish-brown soil with some scattered rocks and pebbles, the background is out of focus giving a shallow depth of field effect, there is blurred foliage and trees behind the abbasid.

an oil painting of a beige-colored abbasid, the abbasid is slightly bent with its head tilted forward, two large ears are prominently visible, numerous other abbasisds are scattered around, some with white powder and others with lighter liquid, several leaves and stems are interspersed among the abbasids, the text "amor" is written in bold letters on the left side of the abbasid's head, the words "namur" are also present below the abbasid's head" and "faribo" are also readable on the adjacent sections, all elements appear to depict natural lighting

a close-up of an abbasid with its cap down, the abbasid is light brown with black spots and speckles, two other abbasids are in the background to the left, each is covered in small white particles, there is another abbasid to the right with similar muzzle details, all documents have a slight depth of field effect emphasizing the edges.

an open book with detailed pages and photos, titled "abbasid" at the top in bold black letters with a white background, to the left is a small section of another page partially visible showing text, below the first section some additional text is partly visible but blurred, it discusses both the books and the subject, close-up photograph capturing fine details of the wooden texture on the books, high level of detail in the textures and colors, no humans present.