Images générées par IA de hazelius

overhead view of the following segment of the road, red brake caliper visible in the top left corner, white light source towards the right creating a halo effect around the edges, blurred background with more cars and pedestrians, pavement surface showing some wear and cracks, dark green leaves from an older tree partially visible in the bottom left corner, text on the post is partially obscured by shadow, sunlight casting slight shadows to the right.

four large musical notes with a blue background, the top row is filled with text, adding to the scene's narrative, each note has an image of a hazelius, the numbers at the base of each note include "12", "12", and "16", all text features classical typography in black and bold fonts, the numbers are small in size and separated by narrow spaces between, several notes have reflections on their surfaces giving a sense of depth, there is an overall minimalistic and visually stunning composition, no humans or other objects are present, the entire composition creates a sense

four columns of leafless, hazelius's note in the center, adding depth to the image, thin green stems and leaves below the note, black border around the notes, text "po", additional smaller text towards the top right corner, slight shadowing on the leaves and labels, high level of detail with sharp focus, photograph has a large field of view focusing on the following line, overall soft lighting giving a warm tone.

a photograph of the following in black text on a light-colored background, several large white crescent moons above and to the left of the columns, musical notes floating around the base of the columns, smaller notes and notes scattered throughout, multiple lines intersecting from top to bottom, various textures including rough waves and soft natural lighting, depth of field with foreground elements sharply in focus and background blurred

three columns of text in black serif font, prominently displayed by the hazelius, two columns on each side are slightly larger than those on the first, the second column also has fewer visible details but is partially obscured from this perspective, another paragraph directly below quotes reads "let us shut out into the cloudy skies," then an additional paragraph or paragraph follows, suggesting it is further down and more uniformly written, all texts appear to be of similar size, fine illegible typography for each column, text organized in a single line, creating a sense of order and structure