Images générées par IA de obliteration

obliteration of an individual's hand in the center with yellow-brown paint, text on the page reads "do not make excuses for this word", another letter below the first letter is black, all text is in a regular font and is slightly larger than the preceding text, there is another word to the left that is partially cut off from the image, the background is plain white providing high contrast that highlights the focus on the text, no other objects or colors are visible in the image.

obliteration of sentences in black ink, first letters are lowercase and slightly bolder than the others, some phrases are indented, "tailor" in large white capital letters at the top center, thick black text is visible on the left side of the page, smaller black text below the main body, lines have a slight sheen, there are small specks of paint or markings near the middle which indicates it is written in a non-latin script

obliteration of text in uppercase with white letters "yet, biliteration process adds an additional element to the list, text is located below a section titled "the sons of ely," right side of text appears slightly blurred, suggesting a shallow depth of field, light and shadows present on the right side, some parts of the text are in uppercase while others appear in black, likely taken in a kitchen or restaurant setting, no humans present.

an overhead view of red obliteration markings, two lines on each end of the line, beige in color, some lines have splatters and streaks, dark text below numbers is printed in white sans-serif font, words are slightly faded to a lighter shade as they move from left to right, no other objects or elements visible, photo has a large depth of field with everything in focus, well-lit with spotlights.

an overhead view, black and red text on yellow paper with the letter "r" in obliteration, the following is slightly out of focus, creating a shallow depth of field effect, some words on the left side are bolded "i - s.", while others are bold and clean at all times, the line below the obliteration starts with a small number "1", there are some faded images about what might be oil marks underneath the "r" in the bottom right corner, another paragraph is clear but not blocky, there are faint blue dots for emphasis on the lines around the obliteration