The design did not aim to depart from a stylistic approach, but rather from an understanding of the site and a way of setting privacy levels within a sensory experience of its spaces. The program spaces were arranged together based on how porous and open their functions required to be to the exterior, to then establish a main circulation axis pushing aside the spaces and creating voids between them that become intentioned framed views to the north garden. As a consequence, the house is read from the street as a game of solid volumes that come to shroud an access portal. The access garden leads up to the portal by a series of platforms amid a sloping lawn Once crossing the main door, the circulation acts as a transitional axis discovering series of carved paces by light that become intentioned framed views to the north garden but lead up to the public area where the mass of the walls fully dissolve becoming a full view and terrace out to the garden and the golf course beyond. The ground floor circulation also gives way to the stairs up to the bedrooms, experiencing a two-story space. As with the trees, water is always a present element. The house is surrounded by reflecting pools or the swimming pool, including a swim lane, that provide constant reflections of light onto the ceilings and walls of the interior of the house. The spatial strategy combined with the use of light called for simplicity and subtleness in the materiality. All walls are plastered in chukum, a natural plaster from Mexico, adding character, texture and a crisp reading of the architectural volumes. A set of carefully placed wood screens project shadows on the walls that add to the ones from the trees, making the surface a place of constant change throughout the day. Marble and wood complete the interiors.