"An abstract painting with dispersed elements that evoke the presence of different symbols. At the center, an irregular geometric shape suggests the presence of an ambulance, but its form is not clearly defined, only hinted at through fluid lines and shadows, almost like a metallic silhouette in shades of gray. In the background, a serpentine road is suggested by wavy, tonal brushstrokes that imply depth without clear definition. The shadow of a person, a man, appears distorted and projected in several directions, as if his form is dissolving on the canvas, with only lines that suggest a profile. Mandacarus are represented by spiny, fragmented shapes, almost like patches, with angular brushstrokes that evoke the rigidity and resilience of the plant. A blue bird, with fluid, scattered brushstrokes, seems to float, its body undefined, but its color and shape instinctively suggest flight. All elements are isolated, separated by vast empty spaces, yet there’s a sense of fluidity between them, evoking the idea that they are present in the scene, though in a disorganized and abstract way. The color palette mixes shades of gray, blue, and the contrast of dark shadows with soft light, creating a sense of mystery and introspection, in the style of Michelangelo, but with the deconstruction of reality, similar to the abstraction in Newton’s search for the analysis of the physical world."