Ambrogio Lorenzetti's medieval painting depicts a multi-plane composition, with the upper part of the canvas depicting a medieval ochre city seen from above, like in medieval icons, surrounded by fortified walls, and the lower part of the canvas, in the foreground, depicting a knight on horseback and a noble lady in Gothic attire. The knight, in full silver armor and a bright cloak, rides a brown horse adorned with a full caparison with a scalloped edge, a heraldic pattern, and a harness with intricate white and gold details all over the body, mane, and bridle. The knight wears a helmet with a raised visor and a gold plume, and holds the reins, extending his right hand to receive an object from the woman standing next to him. The woman wears a long blue robe-like dress with a shallow V-neck and a full skirt with a train. Her dress has a gold star pattern on the bodice and wide sleeves. On her head is a dark bandage covering her hair, decorated with a brooch and a very tall and pointed cone - a decorative headdress, an atour, from the top of which, on either side of the figure, a white transparent veil falls to the ground. The action takes place on a grassy golden field under a deep midnight black-blue sky filled with numerous small bright yellow stars and a medieval decorative crescent moon. In the background are grassy green hills with ochre-yellow fortress walls, behind which is visible a city in a view from above in warm ochre-yellow tones with red-brown roofs, as in medieval icons, as well as two powerful trees on either side of the composition. One tree is slightly to the left of the center, and the other is closer to the right edge. The lighting is even and diffused, creating a serene atmosphere that emphasizes the interaction between the knight and the woman. The overall style is typical of illuminated manuscripts, which are characterized by bright colors, high contrast and moderate saturation. The texture of the paint strokes, inherent in the painting of miniatures from medieval manuscripts, is visible. The entire illustration is framed by a decorative frame of an illuminated manuscript with plant and mythical motifs. The painting style is Ambrogio Lorenzetti, International Gothic.