KI-generierte Bilder von hengist

hengist style painting, two columns of text on the top right, each column has multiple paragraphs with a section heading "welcome to friends", "hengist" is centered at the top of the middle column, all text contains small black dots and lines, some parts of the text are highlighted while others are slightly blurred, lighting is even with no harsh shadows or highlights, the structure suggests an institutional setting.

a detailed illustration of text in black and gold font reads "the hengist is on the right" in larger letters with smaller letters at the base, beneath this is another small number "529" in white uppercase letters, below further below is the title "totte sztafone" in smaller text, the text style appears to be some hengist or similar artistic techniques, the bottom edge of the image contains a thin grey border around the text, there are several people possibly holding cameras or using phones connected to the central part of the image, an unseen object is

hengist style composition with a focus on the following, three separate sections of text at the top and bottom, left section highlighted in black, right section in red and yellow from left to right, some text in uppercase letters but not in a serif font, several lines of text under "we love being humans", blue background, shallow depth of field creating a blurred effect around the edges, words both foreground and background clearly visible.

a close-up of a red column on the left side of the image, hengist styled composition, intricate detailing in textures, blue sky with white clouds visible through an opening in the background, several lines created by the columns, one column slightly larger than the others, fine focus on the circular patterns, additional smaller text and images to the right, some parts of the letters appear blurred due to shallow depth of field.

a circular indentation on an otherwise gray wall, holding a blue and white cans or spoons close-up, the cans are attached along the bottom edge of the image near the base, two other vertical lines on either side of the main line, one at the top left corner and another at the bottom center for scale, all objects appear to be made from thick black dots and rectangular frames, the background is out of focus emphasizing the depth of field, the arrangement suggests a play of light and shadow.