Images générées par IA de padmasambhava

Vibrant color scheme, bold typography, abstract shapes, modern art deco influences, luxurious gold accents, rich wood textures, sophisticated neutral tones, creamy whites, deep charcoal grays, warm ea
A majestic, detailed landscape painting: In the Hall of the Mountain King,a painting with a person on top of a hill with mountains,wudang,padmasambhava,yi sun sin,milarepa,chuseok,huangshan,kunqu,xian
何謂五星？東方，木也，其帝太皞，其佐句芒，執規而治春；其神為歲星，其獸蒼龍，其音角，其日甲乙。南方，火也，其帝炎帝，其佐朱明，執衡而治夏；其神為熒惑，其獸朱鳥，其音徵，其日丙丁。中央，土也，其帝黃帝，其佐後土，執繩而制四方；其神為鎮星，其獸黃龍，其音宮，其日戊己。西方，金也，其帝少昊，其佐蓐收，執矩而治秋；其神為太白，其獸白虎，其音商，其日庚辛。北方，水也，其帝顓頊，其佐玄冥，執權而治冬；其神為辰
重為輕根，靜為躁君。是以君子冬日行不遠其甾重。雖有環官，燕處則昭若。若何萬乘之王，而以身輕於天下？輕則失本，躁則失君。,kyongsang,sakyong,genpei,hanseong,katsuura,gyeongsang,xiaojin,ashikaga,yi sun sin,iwami,shimomura,hokuto,amitabha,kagoshima,mazu,nagarjuna,m
何以知其然也？凡人中壽七十歲，然而趨舍指湊，日以月悔也，以至於死。故蘧伯玉年五十，而有四十九年非。何者？先者難為知，而後者易為攻也。先者上高，則後者攀之；先者逾下，則後者蹶之；先者隤陷，則後者以謀；先者敗績，則後者違之。由此觀之，先者則後者之弓矢質的也。猶錞之與刃，刃犯難而錞無患者，何也？以其托於後位也。此俗世庸民之所公見也，而賢知者弗能避也。所謂後者，非謂其底滯而不發，凝結而不流，貴其周於數而合
a man in a suit standing on brick with trees in the background,rimpoche,osirian,khenpo,kundun,avalokitesvara,avalokiteshvara,kinnara,uther,padmasambhava,khampa,manjusri,dorji,vairocana,zhuan,bhikshu,c
且人有戒形而無損於心，有綴宅而無耗精。夫癩者趨不變，狂者形不虧，神將有所遠徙，孰暇知其所為！故形有摩而神未嘗化者，以不化應化，千變萬抮，而未始有極。化者，複歸於無形也；不化者，與天地俱生也。夫木之死也，青青去之也。夫使木生者豈木也？猶充形者之非形也。故生生者未嘗死也，其所生則死矣；化物者未嘗化也，其所化則化矣。輕天下，則神無累矣；細萬物，則心不惑矣；齊死生，則志不懾矣；同變化，則明不眩矣。眾人以為
仲夏之月，招搖指午，昏亢中，旦危中，其位南方，其日丙丁，其蟲羽，其音徵，律中蕤賓，其數七，其味苦，其臭焦，其祀灶，祭先肺。小暑至，螳螂生，貝鵙始鳴，反舌無聲。天子衣赤衣，乘赤騮，服赤玉，載赤旗，食菽與雞，服八風水，爨柘燧火。南宮御女赤色，衣赤采，吹竽笙。其兵戟，其畜雞，朝於明堂太廟。命樂師，修鞀鼙琴瑟管簫，調竽篪，飾鍾磬，執幹戚弋羽，命有司，為民祈祀山川百源，大雩帝，用盛樂。天子以雉嘗黍，羞以含桃
孟夏之月，招搖指巳，昏翼中，旦婺女中，其位南方，其日丙丁，盛德在火，其蟲羽，其音徵，律中仲呂，其數七，其味苦，其臭焦，其祀灶，祭先肺。螻蟈鳴，丘蚓出，王瓜生，苦菜秀。天子衣赤衣，乘赤騮，服赤玉，建赤旗，食菽與雞，服八風水，爨柘燧火。南宮御女赤色，衣赤采，吹竽笙。其兵戟，其畜雞，朝于明堂左個，以出夏令。立夏之日，天子親率三公、九卿、大夫以迎歲於南郊。還，乃賞賜，封諸侯，修禮樂，饗左右。命太尉，贊傑俊
故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望
Moldavian landscape, rural scenery, rolling hills, green pastures, traditional village, Orthodox church, bell tower, wooden houses, tile roofs, smoke rising from chimneys, golden sunset, warm lighting
Cozy yurt interior, Mongolian style, warm beige fabric walls, colorful traditional patterns, soft warm lighting, wooden flooring, plush sheepskin rug, minimal furniture, low seating, woven baskets, vi
故事有求之于四海之外而不能遇，或守之於形骸之內而不見也。故所求多者所得少，所見大者所知小。夫孔竅者，精神之戶牖也，而氣志者，五藏之使候也。耳目淫于聲色之樂，則五藏搖動而不定矣；五藏搖動而不不定，則血氣滔蕩而不休矣；血氣滔蕩而不休，則精神馳騁於外而不守矣；精神馳騁於外而不守，則禍福之至，雖如丘山，無由識之矣。使耳目精明玄達而無誘慕，氣志虛靜恬愉而省嗜欲，五藏定寧充盈而不泄，精神內守形骸而不外越，則望
夫無形者，物之大祖也；無音者，聲之大宗也。其子為光，其孫為水。皆生於無形乎！夫光可見而不可握，水可循而不可毀。故有像之類，莫尊于水。出生入死，自無蹠有，自有蹠無而為衰賤矣！是故清靜者，德之至也；而柔弱者，道之要也；虛無恬愉者，萬物之用也。肅然應感，殷然反本，則淪於無形矣。所謂無形者，一之謂也。所謂一者，無匹合於天下者也。卓然獨立，塊然獨處，上通九天，下貫九野。員不中規，方不中矩。大渾而為一，棄累而
是故聖人內修道術，而不外飾仁義，不知耳目之宣，而游於精神之和。若然者，下揆三泉，上尋九天，橫廓六合，揲貫萬物，此聖人之游也。若夫真人，則動溶於至虛，而游於滅亡之野。騎蜚廉而從敦圄。馳於外方，休乎宇內，燭十日而使風雨，臣雷公，役夸父，妾宓妃，妻織女，天地之間何足以留其志！是故虛無者道之舍，平易者道之素。,padmasambhava,khyentse,vajrayana,rimpoche,khandr
仲夏之月，招搖指午，昏亢中，旦危中，其位南方，其日丙丁，其蟲羽，其音徵，律中蕤賓，其數七，其味苦，其臭焦，其祀灶，祭先肺。小暑至，螳螂生，貝鵙始鳴，反舌無聲。天子衣赤衣，乘赤騮，服赤玉，載赤旗，食菽與雞，服八風水，爨柘燧火。南宮御女赤色，衣赤采，吹竽笙。其兵戟，其畜雞，朝於明堂太廟。命樂師，修鞀鼙琴瑟管簫，調竽篪，飾鍾磬，執幹戚弋羽，命有司，為民祈祀山川百源，大雩帝，用盛樂。天子以雉嘗黍，羞以含桃
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Scary-Looking Structures
A surreal and whimsical scene capturing the essence of the Japanese culture. This is an chubby plus-sized amaterasu (deity) of the japanese people of Hokushu, the chinese people of the southwest pacif
The world of supreme virtue, sweetly resting in the realm of animal labor and reclining in the world of sweat and roses. The world and all things are brought together, and the world is a scenic pillar
泰古二皇，得道之柄，立於中央。神與化遊，以撫四方。是故能天運地滯，轉輪而無廢，水流而不止，與萬物終始。風興雲蒸，事無不應；雷聲雨降，並應無窮。鬼出電入，龍興鸞集，鈞旋轂轉，周而複匝，已雕已琢，還反于朴，無為為之而合于道，無為言之而通乎德，恬愉無矜而得於和，有萬不同而便於性，神托於秋豪之末，而大宇宙之總，其德優天地而和陰陽，節四時而調五行，呴諭覆育，萬物群生，潤於草木，浸于金石，禽獸碩大，豪毛潤澤，
Therefore, the saints cultivate the art of Taoism, but do not adorn benevolence and righteousness; they do not know the propaganda of the ears and eyes, but swim in the harmony of the spirit. If this

Comment générer des images de padmasambhava avec l'IA ?

Étape 1 : Entrez des mots-clés liés au padmasambhava.
Étape 2 : Sélectionnez le style et la scène qui correspondent au padmasambhava.
Étape 3 : Définissez la taille de l'image, l'éclairage et d'autres informations.
Étape 4 : Après avoir cliqué sur 'Générer', attendez un moment et vous pourrez voir l'image du padmasambhava que vous souhaitez.

Pas de prompt ? Essayez les prompts padmasambhava ci-dessous :

another padmasambhava laying on its side in the foreground, blue body of water between the areas, two green leaves next to the padmasambhava, brown wooden bench behind the padmasambhava, black vertical post above the padmasambhava, several additional logs and materials scattered around the base, small white circular object seen near the bottom left corner of the image, close-up shot with shallow depth of field.
large padmasambhava chrysanthemum japhava, brown and pink leaves, attached to a long thin green stem at the top, dark blurry background with additional foliage, one small reddish-brown leaf on the bottom left, an "z" logo on the lower right corner, two blue stripes on each side of the main design, bright lighting highlighting the central areas, fine details of the padmasambhava including its texture and skin tone
a pair of white padmasambhava sandals on the left, one padmasambhava sandal with a silver handle and round base in the center, another padmasambhava sandal opposite it facing right, all objects placed on a wooden surface or table, detailed texture on the pads showing small grains and cracks, background slightly out of focus.
yellow padmasambhava flowers in a row on the left, green leafy plant in front of the flowers, beige and brown padmasambhava flowers slightly out of focus due to depth of field, multiple layers of leaves creating a sense of depth, blurred foliage in the background, soft natural lighting, photographic image with shallow depth of field highlighting the flowers while the background is blurred
large padmasambhava trees with green leaves in a grassy field, several larger padmasambhava trees visible behind and around the main padmasambhava tree, sunlight casting shadows on the ground, dense foliage and undergrowth surrounding the padmasambhava, some people walking near the padmasambhava, part of another structure with brown walls slightly visible on the right side of the image, slight focus effect on the foreground plants with background sky out of focus.

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