Immagini generate dall'IA di ifrit

a white circular tiled structure in the center, a smaller red and black ifrit sticker attached against the tiles on the right side, several layers of dirt and debris scattered across the surfaces, concrete sidewalk under the tiled surface, green foliage surrounding the area, some shadows cast by the tiles, detailed texture of the tiles visible, bright daylight.

a single green and white ifrit cross-hatched text on the left side of the image, two columns of text adjacent to each other, at the start of an update visible under the cross, top row has additional text with same headers but is not legible, the text on the right column is more detailed and in all uppercase letters, "ifrit" in large bold capital letters above the post, concrete pavement beneath the post, some cracks and imperfections visible on the surface

close-up of a pedestrian crossing, white text on dark green background in blue, brown text "ifrit" at the top right, red and white crosswalk pattern at the bottom left, some reflections seen, leaves and branches visible below the crosswalk, two objects slightly out of focus in the foreground due to shallow depth of field, minimalistic style

a close-up of an artist's mark on a white background, the marker reads "ifrit, hebrew iiv at, max." in uppercase letters with rounded corners, below it is a detailed handwritten note, another note says "north laman" vertically, both notes have a more detailed view while adding depth to the text and line, no other objects are present, the bottom half of the card is slightly transparent showing the left side of the image, lighting is bright and even.

close-up of a post with brown and white threads, detailed section of the topographical map is visible in the upper right corner, text on the map reads "ifrit" in all capital letters, more text appears below the main text, smaller text in the middle reading "orth river" continues, shadows of surrounding elements cast on the painting, bright daylight illuminates the scene including shadows to the bottom, focus is clear throughout the image with no analytic effect.