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PromeAI で生成および共有された画像を探索する

Ebisu (恵比寿), Daikokuten (大黒天), Benzaiten (弁才天 or 弁財天) ,Bishamonten (毘沙門天), Fukurokuju (福禄寿), Jurōjin (寿老人) ,Hotei (布袋), Kichijōten (吉祥天),a man sitting down while wearing an oriental outfit,confuciani
No text, no borders, yellowing stains on the background of antique calligraphy and painting No borders, yellowing stains on the background of antique calligraphy and painting,an asian scrolled style w
Fantasy, Monk, solo, (30yo), muscular arms, bare chest, six-pack abs, shaved head, white eyebrows, golden earring, traditional monk robe, intricate embroidery, red sash, worn-out shoes, staff in hand,
远景，立体毛笔笔触，古风，小小的人物，宣纸卷轴，禅意，behance, 大场景，完美构图,the poster for the film, showing a man standing in front of an illustrated symbol,wudang,zhuangzi,daoism,taoist,taoism,qianjiang,Illustration,Realistic Fan
九疑之南，陸事寡而水事眾，於是民人被發文身，以像鱗蟲；短綣不絝，以便涉遊；短袂攘卷，以便刺舟；因之也。雁門之北，北狄不穀食，賤長貴壯，俗尚氣力；人不馳弓，馬不解勒；便之也。故禹之裸國，解衣而入，衣帶而出；因之也。今夫徙樹者，失其陰陽之性，則莫不枯槁。故橘樹之江北，則化而為枳；鴝鵒不過濟；貈渡汶而死；形性不可易，勢居不可移也。是故達於道者，反于清靜；究于物者，終於無為。以恬養性，以漠處神，則入於天門
The world of supreme virtue, sweetly resting in the realm of animal labor and reclining in the world of sweat and roses. The world and all things are brought together, and the world is a scenic pillar
古之人有居岩穴而神不遺者，末世有勢為萬乘而日憂悲者。由此觀之，聖亡乎治人，而在於得道；樂亡乎富貴，而在於德和。知大己而小天下，則幾於道矣。所謂樂者，豈必處京台、章華，遊雲夢、沙丘，耳聽《九韶》、《六瑩》，口味煎熬芬芳。馳騁夷道，鈞射鷫鷞之謂樂乎？吾所謂樂者，人得其得者也。夫得其得者，不以奢為榮，不以廉為悲，與陰俱閉，與陽俱開。故子夏心戰而臞，得道而肥。聖人不以身役物，不以欲滑和，是故其為歡不忻忻，
The world of supreme virtue, sweetly resting in the realm of animal labor and reclining in the world of sweat and roses. The world and all things are brought together, and the world is a scenic pillar
The perfect beautiful woman. Sitting at the pond. The surrounding is serene and shows calmness. A small bird is chirping.,guqin,hanfu,oriental painting,qingming,daoism,zhuangzi,wuxia,cool woodblock im
an asian painting depicting a woman holding a small bird and an arrow,guqin,japanese art,wudang,zhuangzi,daoism,kunqu,Illustration,Realistic Fantasy,Realistic Fantasy 08
夫有夏后氏之璜者，匣匱而藏之，寶之至也。夫精神之可寶也，非直夏后氏之璜也。是故聖人以無應有，必究其理；以虛受實，必窮其節；恬愉虛靜，以終其命。是故無所甚疏，而無所甚親。抱德煬和，以順於天。與道為際，與德為鄰，不為福始，不為禍先，魂魄處其宅，而精神守其根，死生無變於己，故曰至神。,the man in the robe is looking at a box,hanseong,daoist,jose
an artistic woman dressed in traditional chinese clothing and standing next to a wall painting,rakugo,sanjuro,yi sun sin,shunju,hachani,daoism,Digital Art,Ink Drawing
Traditional Japanese map, worn paper texture, golden ink, intricate kanji characters, crimson stamp marks, fragile edges, ornate wooden rollers, morning light, soft focus, 3/4 composition, warm color
古之人有居岩穴而神不遺者，末世有勢為萬乘而日憂悲者。由此觀之，聖亡乎治人，而在於得道；樂亡乎富貴，而在於德和。知大己而小天下，則幾於道矣。所謂樂者，豈必處京台、章華，遊雲夢、沙丘，耳聽《九韶》、《六瑩》，口味煎熬芬芳。馳騁夷道，鈞射鷫鷞之謂樂乎？吾所謂樂者，人得其得者也。夫得其得者，不以奢為榮，不以廉為悲，與陰俱閉，與陽俱開。故子夏心戰而臞，得道而肥。聖人不以身役物，不以欲滑和，是故其為歡不忻忻，
Ancient Chinese temple, intricate carvings, ornate roofs, vibrant red walls, golden decorations, lanterns hanging, misty atmosphere, morning sunlight, 3/4 composition, shallow depth of field, warm col
🔥 新しい挑戦に参加しよう！
Christmas Architectural Fusion
夫善遊者溺，善騎者墮，各以其所好，反自為禍。是故好事者未嘗不中，爭利者未嘗不窮也。昔共工之力，觸不周之山，使地東南傾。與高辛爭為帝，遂潛於淵，宗族殘滅，繼嗣絕祀。越王翳逃山穴，越人熏而出之，遂不得已。由此觀之，得在時，不在爭；治在道，不在聖。土處下，不在高，故安而不危；水下流，不爭先，故疾而不遲。昔舜耕於曆山，期年而田者爭處墝埆，以封壤肥饒相讓；釣於河濱，期年而漁者爭處湍瀨，以曲隈深潭相予。當
A drawing of a monk, bald, mystic tattoos,young muscle man in robe prays in the style of loose gestural ink, with expressive lines and an ink wash technique, integrating calligraphy, using a black and
Ancient Chinese temple, traditional cultural heritage, intricately carved wooden doors, vibrant red walls, golden dragon ornaments, majestic roof tops, serene courtyard, bamboo trees, incense sticks,
The world of supreme virtue, sweetly resting in the realm of animal labor and reclining in the world of sweat and roses. The world and all things are brought together, and the world is a scenic pillar
Graffiti number 3, bold font, bright blue color, metallic sheen, urban atmosphere, concrete wall background, dynamic composition, low-angle shot, dramatic lighting, vibrant tone, high contrast.,kanji,